The morning was cool and crisp. There had been a storm the night before, and clouds still hung low along the slopes east of town. Wet red clay earth slopped under my tires as I maneuvered up the driveway and on to the road. It was the Friday before Memorial Day.
You have probably seen a photo, most likely taken in our nation’s capitol, a field filled with hundreds (or thousands) of white marble stones, an American flag fluttering before each one. These photos always bring a tear to my eye, with the two times I have been there in person were almost overwhelming. Back in March, while warming up in Arlington’s museum after my tour, I read that the flags are placed by volunteers. I remembered from a flash of green grass, white stones and flowering trees as I drove through years ago that Santa Fe was home to a national cemetery. Aware I would be in the area over Memorial Day weekend, I had added ‘Flags Out’ to my dharma schedule.

Mine was the fifth car to arrive. We huddled in our vehicles, three trucks, a rental sedan, and me in my SUV, clutching warm coffee, our breath misting in the thin mountain air. Slowly the lot filled, until new arrivals had to park along the cemetery lanes. As the sun emerged above the cloud layer we did too, and drifted to the parade grounds, towards the rangers and their flatbed ATVs filled with bundled flags. Folks formed natural clusters: vets in their leathers, each jacket telling a story; a local women’s group in cheerful colors, their male counterparts in white polos; a cluster of tan and blue cub scouts; local ranchers in dress plaid and jeans. There was even a group of local teens sporting inventive hair, make-up and piercings. Most of the faces belied Conquistador or First Nations heritage, and the voices lilted with Spanish, Pueblo and Navajo influence. I was quickly welcomed in, the camaraderie of shared sacrifice, instantly part of the tender club of veterans and those who honor them.
There were close to a hundred of us by the time we got started. After a few opening words, a reminder we were on hallowed ground, and instructions for placement (front, center, one foot forward) we were off. We fanned out from our starting point, self organizing amongst the rows. Flags in arm (four batches, twenty-five each, much heavier than you would think) I began on the nearest unoccupied row. The soil was wet from the night before and the flags were easy to plant. I would read the name on the marker, say a blessing, plant the flag, step to the next… name, blessing, flag… over and over… one row complete, the another… It was surprisingly quiet work given our number: taps of wood flag stems, fluttering cloth as the wind picked up, chattering birds in the nearby trees. Equally quiet were the Park Rangers and Marines who appeared alongside with more flags whenever my stash ran low.


The sun rose above the clouds shortly after we began, and soon it was bright and blazing. As I work I am approached by a white-haired woman looking for her brother’s grave. By chance I see it one row over (and the date, Korean era), and hand her a flag. Her breath catches as she turns away. Soon after I engulfed by a group of children, chattering gleefully as they leapfrog from grave to grave. They are not yet school-age; some graves get two flags (front and back) and some graves none. Their mom and I follow behind quietly making necessary adjustments, as their grandpa, his cap proudly attesting his Vietnam service, smiles at them through misty eyes. The cemetery is filling out now, not just us with the flags but also families placing bouquets at loved-ones graves. I am towards the top of the main hill when an brown SUV passes then stops ahead of me. Two women, Latinas in their mid 20’s, emerge with an arrangement of flowers, balloons, and a bow-adorned cross. It is a Marine’s widow and her sister, the home-made cross carrying messages to daddy from his two young sons. Back at the Zendo they will tell me, in a self righteous tone, that the plots are the true cost of war. I know better. For me, the true cost is not borne by those in the ground. Rather, the true cost is borne by those left behind, men and women physically or psychologically damaged by their service, grieving platoon mates, children growing up without mommies and daddies, parents growing old without their children, society who will never know the gifts these men and women might have shared. It is my eyes that are now misty as I continue on.

As I crest the hill, the solemn mood is broken by a pair of jolly men in a pick-up bearing much-needed water and (less needed) donuts, children streaming behind them between stops like a comet’s tail. Refreshed, I continue on to the back sections of the property. This section has markers instead of stones, so the flags appear a forest in the fresh spring grass. Here I help with a columbarium, the flags more challenging to plant with its gravel border instead of grass. Half way down we run out of flags, and my buddy heads out on a quest for more. I stop and look around, and find myself in a sea of red, white and blue. By the time we finish our row, we are the last ones on the hill. Together we placed 46,000 flags in ninety minutes.
If you ever have the opportunity to participate, I encourage you to do it. Not only is it a great experience, but it means a lot to the families and friends of the fallen. Flags Out is normally the Friday before, and Flags In (much more sparsely attended, but the gave us popsicles) the Tuesday after. You can locate the National Cemetery closest to you here: http://www.va.gov/directory/guide/division.asp?dnum=4&isflsh=0 and they can provide info on how to volunteer. Some also have a Bows Out/Bows In over the winter holidays.


















My favorite meditation was also on the farm. Every Wednesday, instead of a second interval of zazen, we would hoe the fields as a group. (This was known as Community Hoe, not to be confused with First-Time Hoe, Student Hoe or Group Hoe, three until now unmentioned activities during the previous week.) We would file out of the zendo two by two and, after the quick donning of warmies, trundle down the morning-muddy path to the farm shed for our tools and instructions. After a short blessing we would choose our rows, one of us on each side, and with fogged breath, mindfully tease new weeds from the earth, careful to avoid the crops. It was a beautiful practice: the blessing of physical activity and quiet attention to the task, the sounds of metal in earth under the lightening fog, with all members of the sangha, from the newest student to the senior teachers to the Abiding Abbess working side-by-side for the good of the community.

Then, the trail shifted from west to south and I could see the ocean, the darker grey of water slowly blending with the fog along the horizon. It was windy, with gusts strong enough to lean in to; I sat down next to a patch of wild orchids and took it all in. Out came my sandwich, and over the next half hour or so, took in it and all that surrounded me.









First, the sitting. How hard could it be, you ask? Didn’t you sit for hours at your desk, or curled up reading on the weekends? You would be surprised. For one, there is the physical posture. There were four sitting options, three on a cushion (lotus, half-lotus and kneeling), and the chair. It became obvious the first week that I should stick to the chair. I had been fine doing this during the lectures, but it seemed a little lame to do an entire sesshin in a black folding chair. Fortunately, one of my fellow retreatants was a yoga teacher, and he encouraged me to try different sitting poses and heights (one cushion, two cushions, or sometimes three). By the time sesshin came around I had found one that I could hold for most of a sit without my legs falling asleep. But I still wasn’t up for a full day.
Then, on the third day, something shifted. We filed in to the zendo, took our places on our cushions, and once the bell rang slipped in to silence. As the minutes passed, it became a beautiful silence, a clear silence more silent than any I had heard before, the silence that arises from twenty-four people deliberately holding mind and body still. Someone would cough, and instead of rippling through the room, we held each other in practice and silence would emerge again. This synchronicity carried through the day: I was able to keep up during the walk; I noticed (and corrected) the visual illusion that was causing me to nod off; and at lunchtime our seats were rearranged so I was next to an experienced oryoki-er. Even my yoga improved: muscle memory began to kick in and I was able to stretch in to the forms.








I arrived in Santa Fe on Wednesday. I will be spending five weeks here, at a Zen Center nestled in a canyon on the east side of town. For the past four weeks I had been living out of four bags, so it was nice to settle and start to unpack the Xterra. My room is in the main house, a former dining room off the kitchen that opens onto a gorgeous courtyard. It is a Pueblo style home, low adobe with rounded corners, accented with corner fireplaces and large wooden beams. Inside it is natural wood cupboards and furniture, primarily in the raw, lightly finished Ranchero style, with Buddhist artwork. It is above seven thousand feet here, spring still creeping up from the valley below, so the earth was still brown, and most plants dormant waiting for warmer temps. The exception (other than the pine) was the cherry trees, bright with branches of pale pink flowers. They provide a pleasant contrast to the earth tones of the buildings of the land.